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Instruments used by FRQ In a wide variety of
programs, the FRQ performs with great virtuosity, using carefully chosen
examples from its unique collection, thus making each and every concert an
unforgettable happening. Some of the most intriguing recorders in the
collection are: the Virdung (1511) copies crafted by recorder builder Adrian
Brown; a dozen recorders copied from the Vienna-collection, the 2.30 meter
(7ft 6in.) tall baroque sub-bass designed and built by von Huene in Boston
and modern recorder models made by Coolsma from Utrecht in the Netherlands.
Such an array of unique and very rare specimens provides a feast for the eyes
and the ears and serves as a convincing plea in honour of the instrument. The instrument parc of the
FRQ is constantly changing and consists at the moment of: Baroque
Recorders, a= 415hz Terton soprano in c” by Hans Schimmel Baroque soprano in c” by Fred Morgan Bressan alto in f’ by Fred Morgan Denner alto in f’ by Fred Morgan Baroque
consort, Friedrich von Huene, a= 415hz Soprano in c” Tenor in c’ Voice flute in d’ Modern recorders
(a= 440hz) by Coolsma Renaissance
consort, Bob Marvin 1985, a= 465hz Bass in c Renaissance
consort additions, Adri Breukink, a= 465hz Renaissance
consort, Adrian Brown, a= 465hz Cylindrical
consort “virdung”, Adrian Brown, a= 520hz Tenor in c’ Non-consort
renaissance / early baroque recorders Soprano “van eyck” in c” by Fred Morgan Soprano “van eyck” in c” by Bob Marvin Rosenborg soprano in c” by Adri Breukink Alto in f’ “bassano” by Bob Marvin Alto in g’ “ganassi” by Fred Morgan Alto in g’ “ganassi” by Sigerahu Hirao |
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