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In a wide variety of
programs, the FRQ performs with great virtuosity, using carefully chosen
examples from its unique collection, thus making each and every concert an
unforgettable happening. Some of the most intriguing recorders in the
collection are: the Virdung (1511) copies crafted
by recorder builder Adrian Brown; ten recorders copied from the
Vienna-collection, the 2.30 meter (7ft 6in.) tall baroque sub-bass designed
and built by von Huene in Boston and modern
recorder models made by Coolsma from Utrecht in the
Netherlands. Such an array of unique and very rare specimens provides a feast
for the eyes and the ears and serves as a convincing plea in honour of the
instrument. Instruments used by FRQ:
Baroque
Recorders, a= 415hz Baroque
consort, Friedrich von Huene, a= 415hz Soprano in c” Soprano in c” Tenor in c’ Voice flute in d’ Modern
recorders (a= 440hz) by Coolsma Renaissance
consort, Bob Marvin 1985, a= 465hz Renaissance
consort additions, Adri Breukink,
a= 465hz Renaissance
consort, Adrian Brown, a= 465hz Cylindrical
consort “virdung”, Adrian Brown, a= 520hz Tenor in c’ Non-consort
renaissance recorders Soprano in d” by Adri Breukink Soprano “van eyck” in c” by Bob Marvin Rosenborg soprano in c” by Adri Breukink Alto in g’ “ganassi” by Sigerahu
Hirao Alto in g’ “ganassi” by Sigerahu
Hirao |
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Last updated: January 26th 2010 |
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